Miklós Jancsó

Miklós Jancsó

1921-09-27

Biography

Miklós Jancsó (27 September 1921 – 31 January 2014) was a Hungarian film director and screenwriter. Jancsó achieved international prominence from the mid-1960s onwards, with works including The Round Up (Szegénylegények, 1965), The Red and the White (Csillagosok, katonák, 1967) and Red Psalm (Még kér a nép, 1971).  Jancsó's films are characterized by visual stylization, elegantly choreographed shots, long takes, historical periods, rural settings, and a lack of psychoanalyzing. A frequent theme of his films is the abuse of power. His works are often allegorical commentaries on Hungary under Communism and the Soviet occupation, although some critics prefer to stress the universal dimensions of Jancsó's explorations. Towards the end of the 1960s and especially into the 1970s, Jancsó's work became increasingly stylized and overtly symbolic. He received five nominations for the Best Director Award at the Cannes Film Festival. winning for Red Psalm in 1972. In 1973 he was awarded the prestigious Kossuth Prize in Hungary. He received awards for his life work in 1979 and 1990, at Cannes and Venice respectively. Description above from the Wikipedia article Miklós Jancsó, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Also appears in

Ed’s Eaten Elevenses

Ed’s Eaten Elevenses

5.2

Wake Up, Mate, Don’t You Sleep

Wake Up, Mate, Don’t You Sleep

5.1

The Lord’s Lantern in Budapest

The Lord’s Lantern in Budapest

6.1

Negative history of Hungarian cinema

Negative history of Hungarian cinema

Not yet rated

Damn You! the Mosquitoes

Damn You! the Mosquitoes

5.1

Sticky Matters

Sticky Matters

6.5

Legkisebb film a legnagyobb magyarról

Legkisebb film a legnagyobb magyarról

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Last Supper at the Arabian Gray Horse

Last Supper at the Arabian Gray Horse

3.4

Jancsó Shoots

Jancsó Shoots

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Sodankylä Forever

Sodankylä Forever

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A Kádár-korszak demokratikus ellenzéke

A Kádár-korszak demokratikus ellenzéke

Not yet rated