Chantal Akerman

Chantal Akerman

1950-06-06

Biography

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

Also appears in

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

7.4

La chambre

La chambre

5.2

News from Home

News from Home

7.3

Porto

Porto

5.7

Je Tu Il Elle

Je Tu Il Elle

6.4

I Don’t Belong Anywhere: The Cinema of Chantal Akerman

I Don’t Belong Anywhere: The Cinema of Chantal Akerman

6.5

applechedikal

applechedikal

Not yet rated

Examen d’entrée INSAS

Examen d’entrée INSAS

Not yet rated

One Day Pina Asked...

One Day Pina Asked...

5.5

Blow Up My Town

Blow Up My Town

6.4

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

7.9

What Is Cinema?

What Is Cinema?

6.2

No Home Movie

No Home Movie

6.8

Pictures of Europe

Pictures of Europe

Not yet rated

Delphine and Carole

Delphine and Carole

7.0

The Ministries of Art

The Ministries of Art

6.3

Down There

Down There

4.8

Birth of a Nation

Birth of a Nation

6.3

But Elsewhere Is Always Better

But Elsewhere Is Always Better

Not yet rated

The Man with the Suitcase

The Man with the Suitcase

5.5